Tag Archives: leggero

Nikon 70-200mm f4 vs 70-200 f2.8

ok, so i ordered the new Nikon 70-200mm f4 from amazon and compared it to my older 70-200mm 2.8 VR II.   the results were pretty clear and simple, the 2.8 is a sharper lens.

i put my nikon d800E on a tripod.  i set it to iso 1000 since i was inside, just one overhead light.

i set it to aperture priority at f4 so i could have as little depth of field as possible.

i was about 4 or 5 feet from the subject (a post office box)  i set both lenses to 200mm.

took the same picture with each camera and did not move the tripod.  just changed lenses right on the tripod.

first was the strangest observation, as you can see in the pictures the f4 gets up closer in the image.  i’m sure there is a logical reason for this, but it makes no sense to me.

for the purpose of comparison i cropped the 2.8 image in lightroom so it would be the same size for comparison of sharpness

this first image is the regular 2.8 at 200mm uncropped

f2.8 (1 of 1)

 

this second image is the f4 lens uncropped.  notice the strange difference in size when both were set at 200mm??

f4 (1 of 1)

 

this last image is the f2.8 that i cropped so i could compare them at the same visual size.

f2.8 (1 of 1)-2

 

there is no doubt from these pictures that the 2.8 is the sharper lens.

the 2.8 also focuses much faster even when it is set at f4.

so i was hoping that the f4 would be sharper since it does weigh alot less and is smaller, but alas i’m still going to be using the bigger heavier and sharper 2.8 and back to amazon goes the f4.

if anyone has any different results i would most definitly like to hear about it and i’ll be conducting a few more tests since i still have 3 weeks to return it…..

you can email me directly at mike@michaelleggero.com if you have questions or if you know why they looked different when each was set at 200mm??

 

 

Advertisements

How to download photos FROM an iPad directly TO an external hard drive!!!

Ok, this is HUGE to me.  I have finally figured out how to transfer pictures from my ipad directly to an external hard drive.  Now, to clarify this for those that don’t get what I mean.  Lets say I’ve been out shooting all day and I have filled up a memory card.  Well, I want a safe backup,  I go back to the hotel and backup to my ipad, but I can’t do this for long because it only has a max of 64gb space.  Now, however I have expanded that space to 1tb!  Woo Hoo!!

The basic workflow is:

Go out and shoot all day on location

Using camera connection kit, download all your shots onto your ipad

Connect external hard drive to ipad

Copy all pictures you just downloaded onto the external drive

Delete those pictures from your ipad and you have space for tomorrow

 

What you will need:

An ipad of course, the bigger the better, I use a 64 since you still need to put the pictures from your camera onto the ipad.  But if you are reading this far you probably have an ipad anyhow.

You must have your ipad jailbroken.  That’s the only way to do this, I’m not going to go into why or how to do it, google it, choose for yourself.

You need the app ifile from cydia

Camera connection kit with usb plug

An external hard drive

The usb cable to connect the external drive.  This cable needs to have a splitter so you can power the drive by plugging it into the wall.  http://www.amazon.com/Cables-Go-28107-Mini-B-Y-Cable/dp/B0013LQD7Y/ref=sr_1_15?s=electronics&ie=UTF8&qid=1357128160&sr=1-15&keywords=usb+splitter+cable

The ipad does not have enough power to run the drive on it’s own, that’s why you need to plug the drive into the wall, or a solar charger if you are in the field too.

 

So, on to the good stuff!!

 

First install ifile on your device, there, now you have everything you need for the software to make this work.  Never have to download it again.

 

1. Using the camera connection kit, download all your pictures from your camera onto the ipad.  That’s easy, just like we’ve always done.

2.  Plug the usb part of the camera connection kit into the ipad and then connect up the external drive.

3. open ifile app.  Turn the ipad sideways so you get the landscape view.

4 on the left side it has a  shortcuts menu which will say Devices.. under the devices section you will see disk, wait a few seconds and then it will show “flash drive”  there might be 2 flash drives depending on your external drive partitions

5. now, under places click images and it will give you a bunch of files.  This is the only confusing part, you have to find the files you just imported.  Simply click the file name and it will open the file.  Some files will be empty, and some will have photo file names.  It’s easy for me because I shoot all raw, so I just find the file with the .NEF extensions in the file name.

in the right corner, click edit.  Then hold your finger on one file until the “select all” appears.  Click “select all”   again, hold your finger and select “copy”

over on the left side, select your flash drive that you are using under the disk section.  Then on the right panel hold your finger over where you want to put the pictures.  “paste” will appear, click paste and all your pictures will be copied from your ipad to your external drive.

 

Next to the name “flash drive” there is a little button to unmount the drive.  Sometimes this works, but usually once you unplug the drive then your ipad resets itself.  Whatever reason it does this I don’t’ know, but it’s probably good to reset every so often anyhow.  All the nerds tell us that… wait, am I one of those nerds now that I’ve written a computer how to article?

 

Sounds like a lot of steps but it’s really simple when you actually do it

 

Now, since space is limited I go back and delete all my pictures from my ipad and I’m ready to start the process over again…

 

 

For those of you that need it here is a link to a youtube video that shows the same thing too.

http://www.youtube.com/watch?v=4u6IvnnTq_c&feature=youtu.be

 

 

10 Tips for Better Landscape Photography

Landscape photography is one of my most favorite subjects.  From the beaches and coastlines of Big Sur, California to the lighthouses of the Northeast, landscapes make up our world.  Everyone looks at them but few can capture the magnitude. Here are some tips to help you improve your landscape work and get the most out of your time

  1. 1. Wake up before the sun comes up.  It sucks, I don’t know anyone that likes to wake up early but that’s when you get those great shots.  The fog is still in the valley, nobody else with half a brain is awake, and the world is at peace.  The lighting at sunrise is spectacular, you can actually watch the sunlight move across the ground and expose colors that you never see in midday.
  2. 2. Equipment; don’t think that all your landscape work needs to be done with a wide angle lens.  I frequently use a 70-200 with great results.  A good wide angle zoom lens is a great choice.  18-200 is an awesome range.  You can play with composition and observe all sorts of different options.
  3. 3. Panoramas are becoming more and more common these days.  This is one thing where it’s ok to join the pack and do the same as everyone else.  Photoshop has an incredible panorama tool, use it.  The days of 8×10 are gone, don’t worry about what the dimensions of your image are.  It’s your photograph, show that entire mountain range with the ocean leading out the side.  Your eyes see it, show it in your photography.
  4. 4. Go where nobody else goes.  As I drive up and down the California coast I always see signs that say “no trespassing” and that’s a good rule to follow.  However, go up to someone’s house and ask if you can walk on their land and take some pictures.  Just explain what you want to do and offer to email something to them when you get back home.  I’ve never been told to go away and have never been denied admission after I ask.  Just remember, some of the people that have beautiful views are rich and powerful, so when John Travolta answers the door don’t become a stupid goofy groupie.
  5. 5. Get on the ground.  The true mark of a good photographer is that we’re not afraid to get dirty.  Get down on your stomach and try some shots with a different perspective.  Or get high up on something, climb a tree, hang off the side of a mountain.  Find a new way to approach your subject.  Think of the Golden Gate Bridge; millions of pictures are take of it each year, but how many people take the extra 10 mins to climb down to the shore and get the water’s edge in the foreground?
  6. 6. Take pictures of cloudy skies.  It always happens, I’ve got a great picture with no clouds in the sky, and I’m not local to the area so I can’t go back and reshoot another day.  Well, it’s cheating, but if you have a big collection of just cloudy sky pictures you can Photoshop in some clouds and make that dull sky come alive again.
  7. 7. Travel alone without your assistant.  For me this is the best way to inspire myself.  When I travel alone my mind is 100% on photography.  I don’t get distracted and I don’t have to keep someone else company.  If I have someone else in the car there is lots of useless babble and then you have to worry about if they are hungry and they always have to find a bathroom at the wrong moment.  Also, they won’t want to sit for an hour waiting for the light to get perfect.  You will compromise your quality to make your partner happy.  Keep your quality and inspiration at the top, leave them at home.
  8. 8. Take several different exposures of the same image. This is called bracketing, and while most people reading this know all about it few do it anymore.  Most cameras today have an auto bracketing setting.  I use mine all the time. I’ll often take 5 or 7 different exposures of the image.  90% of the time I use just the normal regularly exposed image, but if I decide I want to have greater highlights or shadows all the information is there in a different picture.  This also leads to the HDR world, which I’m not going to even go near in this article, but HDR is here to stay and multiple exposures are a necessity for it.
  9. 9. Pay the extra money to get into parks and travel on scenic roads.  For example the 17 mile drive at pebble beach, California.  It’s $9 to drive along this road and I almost didn’t go the first time I was there.  Well, I’m glad I paid the money, it’s one of the most scenic places along the California coast and if I never paid the toll I would have missed out on some of the greatest pictures on that whole trip.  The same goes for state and national parks.
  10. 10. Finally, be prepared; bring food and water with you in the car.  If you are hungry then your creativity will suffer.  Make sure you have a full tank of gas.  Nothing will screw with your brain more than running near the E and looking for a gas station instead of a great landscape.
  11. 11. Ok, one more.  Find your sunset image way before sunset.  I start looking for my sunset place about 3 hours before the sun sets.  It sounds like a long time but remember, you might have to hike a half-mile to get that unique vantage point, or it might take you an hour just to find a good location.  Once I find my location I can sit and wait and relax.  I get on my iPhone and start looking for hotels in my area so as soon as the sun is down and it’s dark I can just drive strait there and relax for the rest of the night before I have to wake up at that horrid time before daylight, ha ha ha.

 

 

 

 

 

 

 

 

 

 

Buying Used Photography Equipment

How to safely buy used photo equipment.

 

In today’s economy every nickel counts, and just like everything else cameras and lenses cost way more than anyone wants to pay.  I’ve had good and bad experiences with buying used equipment.  However, if you do it correctly then you can save a bundle.

Used equipment is available from several sources; some examples are eBay, craigslist, store returns, pawnshops, and private sales.  There are others but these are what I will be covering. I’ll give you the goods a bads and recommendations on what to look out for.

The type of equipment you buy is a huge consideration.  Stay away from used “push-pull” zooms.  These usually get loose and wear out with age.  Outdated cameras are also not a bargain like they might seem.  For example, you can buy a Nikon d1 or d2 very cheap now.  The problem is that while they were good in their day, now they are not.  The older pro cameras are slow with writing to memory cards, use a lot of battery power and usually have much more noise than even today’s modern consumer level cameras.  They were great in their day, really awesome, but now they are just simply old technology.

Tripods are a mixed bag; if you can see it and try it before you buy then it might be a good deal.  Things to watch for are loose clamps, bent legs, center shafts that are warped, and cracks in the legs on carbon fiber models.  I would avoid eBay or any online store that does not offer a money back guarantee on anything, but especially tripods.

Big expensive professional lenses are a tough one.  Here’s an example for how to be safe.  Nikon has been selling a 70-200mm 2.8 lens for years.  They recently upgraded that lens and most pro photographers will buy the new upgrade even if their old lens was working fine.  That’s usually a safe bet.  If a lens has been upgraded then buying the old model gives you a good chance that the old owner just upgraded.  The best way to be sure is to buy the old model right after the newer model is introduced; that’s when the market is flooded with the older lenses.  Same is true for professional cameras.  When the D4 is introduced later this year (I hope) there will be many many D3’s going up for sale.

Filters are a pretty safe bet.  Unless the threads are damaged or there is a scratch on the glass then there’s nothing that can go wrong with it.  Avoid batteries at all costs!  That seems like common sense but I see used batteries online all the time.  Strobe units are another to avoid, just way too many electronic parts to go wrong.  Bags and soft cases are usually safe.  Avoid hard cases because the padding is usually already cut to fit the previous owner’s equipment.

Used underwater cases are a huge treasure! So many scuba diver try underwater photography and fail it’s ridiculous.  Ebay is full of underwater systems that are used very little and you can save thousands sometimes!  Just remember to test the case in a pool without your camera in it first to make sure it doesn’t leak.

So where to buy your stuff, what’s safe, who will screw you?  Those are the important questions.  I’ll address several companies I’ve purchased from.  I really have no specific complaints for any company—I think I’ve just had a lot of good luck, ha ha.

KEH.com is my favorite place to buy used cameras and lenses.  They are very very honest and their return policy is awesome.  Their descriptions are accurate and their grading is very strict.  I hardly ever buy their top condition grade because I think they are way too strict. I usually look for items in their BGN or bargain grade.  To me they look almost perfect.  As far as I can figure is that if there is a scuff or scratch on something then it’s bargain to them. If there is anything specific wrong like a ding in the filter ring they will note that in the item description.  Their service is super fast often shipping the same or next day and the people on the phone are very knowledgeable.  Unfortunately you will wait on the phone on hold for a while because they are so popular.  I think that’s my only complaint with them.  Their return policy is simple, if you don’t like what you buy for any reason you can send it back and get a refund!

Amazon.com has a section that they sell items people have returned.  These things aren’t really  “used” they are simply customer returns.  If you call and get the right person sometimes you can get the operator to look in the notes and find out why it was returned too.  Do not wait and “think about it” these items move very fast, so buy it fast.

Ebay is a risky place.  I’ve had mostly good luck but remember, these are usually regular people that think their item is in much better condition that it usually is.  You will often see descriptions such as “mint, perfect, like new, pristine”  these are simply sales words and really don’t help you any.  Look at the description and contact the seller with specific questions.  I always ask for a phone number from the seller so I can call him and talk to him about it.  If he doesn’t give it to me I move on to the next item, easy.

Craigslist is another source.  Unfortunately it seems that everyone selling on craigslist thinks their stuff is made out of gold.  I rarely find good deals on there.  The advantage of that site is you can physically put your hands on the item and examine it before you give out any cash.  You can also put a listing on there that you want to buy used camera equipment.  This gives you the ability to name your own price if you are a good negotiator.  The only problem with that is you will get tons of people calling you and annoying you with old junk film and point and shoot cameras.

Pawnshops are great. You can get a great price and still be able to examine the item before buying it.  In today’s economy people are pawning everything.  The shops are paying almost nothing these days and that gives them a lot of leeway in what they need to charge.  Don’t pay the first price they ask, haggle with them.  If you develop a relationship with a certain store they will often call you when they get something in that they think you will want to buy and give you a better price than a normal customer.

Even with all these sources I still buy a lot of my equipment brand new. Just go by the old philosophy of Buyer Beware and use common sense and you should be fine.

 

Camera Stabilization

No matter how good of a photographer you are, if you can’t hold the camera steady your images will turn out like crap.  Image stabilization is one of the most important aspects of photography.  If you have a great picture opportunity make the most of it and be sure you will be holding that camera steady.

This article will explore a lot of different tools that you can use to hold your camera steady and reduce the dreaded camera shake. I will also give my opinions on brands.  So here is my disclaimer: I do not have any corporate sponsors, I pay retail for all my equipment and I give ya the good and bad opinions for brands of things I try.

First, lets examine the best ways you can hold your camera to be steady on your own without extra mechanical aids.  Really, who wants to carry extra crap if you don’t have to, right?  The basic rule for years has been anything slower than 1/60th of a second you can’t hand hold.  That rule still applies and you also have to remember that it was designed for use with a 50mm lens.  A more accurate rule is that you can’t hand hold anything lower than the “length of your lens”.  For example 200mm you need 1/200th, 600mm you need 1/600th.  There will always be people out there that have big egos and like to compete about who can hand hold 1 second exposures, but they are usually young and have a lot less years on their body than I do, ha ha.

There are a few techniques you can use to help hold steady.  The way you hold your camera is a big consideration.  Keep your elbows in and hold the camera to your face to help stabilize it.  Also, hold your breath as you press the shutter.  Leaning against something like a tree or a building can help you a lot as well, or sitting.  If you are in a car, that car window is a great support for your camera.

After you are done with your best ability of your body there are many mechanical aids out there that will make your life easier.  Some are bigger and bulkier than others; basically you sacrifice comfort for greater stability.

Tripods.  Tripods are the best means of stabilization.  Basically the bigger, stronger, heavier they are the more stable they will be.  I started out many years ago using a Slik aluminum tripod.  I still have it and my kids use it all the time.  It is actually nice and steady and lightweight.  The head is useless but the kids are just happy to have something big and professional looking, ha ha.  Slik still makes tripods and I haven’t tried one out, but I’d say they are worth a look since they have always been low cost.  Plus if they are still in business they must be doing something right after all these years.

Today I use Gitzo carbon fiber tripods.  I honestly can’t say anything bad about them except for the price, ouch.  But they open and close easily, they are strong and the quality is worth the price.  I do have one Benro tripod.  It is the travel one that folds up backwards to make it very small and compact.  Unfortunately I really can’t say much good about it except for the small size.  The included ball head does not let me feel comfortable with a professional camera and medium size lens.  I’m afraid it will fall off or wobble around.  The biggest complaint I have with it is the legs do not stay locked.  Now, let me explain; often when I’m walking through the woods I use the tripod to help me steady myself.  I extend one leg and use it like a walking stick or support when I’m climbing over a log or large rock.  With the Benro tripod it will almost always collapse inside itself.  I have never had it collapse when I’m using it with a camera thank goodness, but it is a big complaint I have.  Upon examination I discovered that they use a very fine thread pattern to tighten and loosen the twist clamps for the leg.  I think the fine thread is the problem because obviously it doesn’t allow you to tighten it enough.   Also, for some weird reason they do not use the “righty tightly , lefty loosen” method to tighten and loosen the legs; it’s backwards.   So enough bashing them, just buy the gitzo version and you’ll be happier.

Now, if you can’t afford the best tripod out there you can add some stability to the one you have.  Firstly, try not to extend the tripod out all the way.  The shorter it is the more stable it will be for you.  Try not to extend the center column either, that will take away some of your stability.  If you do have to have all the legs extended, hang something heavy from your center column.  This will help it stay down and make it a bit stronger.

Ball heads are the next important part of a tripod.  I personally haven’t found one that I’m overjoyed about.  I suggest that you go out and try a few at your local store if possible.  Look for a heavy one that has big knobs which you don’t have to turn much to tighten or loosen for adjustments.  If you are using at larger lens like a 300mm 2.8 or larger then you need to use a gimbal head.  Wimberley makes an awesome one.  There are a lot of knock off versions of their older model.  Some are good, some are not.  Their newer model is spectacular and I figure if you spend thousands on that big lens then spend another $500 and get a real Wimberley head.  They are a small company and it feels good to support them.  Plus they have the best customer service that I have ever delt with from any camera equipment manufacturer. Period!  Call them, I’d love to be sponsored by them, I think they really deserve our money.

Moving down the road we come to monopods.  Monopods are awesome if you only need to get a little bit of stabilization or if you need to be portable.  I often use a monopod on my 600mm with fantastic results.  The best way I’ve found is sitting with it extended a small amount to get the least amount of wobble with that big lens.  They are great tools where you are in a rush to get the shot or you just don’t want to carry that big bulky tripod all over the woods with you trying to find those bears.

Beanbags are wonderful for all sizes of lenses.  A beanbag can completely immobilize a camera on a car window, a rock ledge, almost anywhere.  The biggest complaint I hear about beanbags is that they are big and bulky and take up a lot of space, well that’s easy to fix.  I don’t own an actual beanbag, I have an empty zip lock bag and I fill it with dirt, sand, or whatever is laying around the area.  It works, it’s free, and it doesn’t take up any space in my bag.

Recently I’ve discovered a new product called a Steadepod.  It basically screws into your tripod socket on your camera, then a wire comes out of it and you step on the end of the wire.  Then you pull up and it adds tension and support.  I know you have no idea what I mean so check out their website www.steadepod.com they can explain it better than I can.  I haven’t tested it enough to say one way or another if I like it yet, but for $25 it’s worth a try I figure.

Nobody likes to carry a tripod and set it up and then carry it back to the car, it’s a pain in the ass.  Unfortunately it’s often a necessity until we can figure out how to make the assistant become frozen.

 

 

 

 

 

 

Nikon 600mm vs. Sigma 300-800mm

When you need a huge long lens for your Nikon there are a few choices.  Today we will talk about the Sigma 300-800mm and the Nikon 600mm.  If you are looking for a quick answer, in my opinion, the Nikon 600mm is the better lens. There, now you can quit reading if you only wanted a fast answer.

Onto the details:  I first purchased the Sigma lens when I couldn’t find anyone that had the Nikon in stock.  The Nikon is still extremely difficult to find and buy however.  Both lenses have advantages and disadvantages from weight, size, and both have a learning curve to being able to use the lens to it’s best.

When you have both in your hands the Nikon is a smaller lighter lens but it is still very large and heavy.  The sigma weighs just under 13lbs while the Nikon weighs 9.8lbs.  I’m not sure that’s really a noticeable difference when you are carrying it around with all the other gear, but if you are only carrying the lens and camera body hiking a couple miles I’d rather bring the Nikon.

Length, the Nikon is 17.5” and the Sigma is 21.5” which does make a difference in traveling.  I fly a lot and I would never ever want to check this lens.  I try to pack all my gear in a standard roll aboard suitcase so I can bring it with me onboard the plane as a carry on.  The Nikon will fit in a standard roll aboard suitcase and the sigma will not.  This is a huge advantage to me because if you get a grumpy flight attendant they can enforce the one carry on rule and you’re stuck out of luck.  Both lenses come with their own cases; hard case for Nikon and soft case for Sigma.  Both of the cases are acceptable as carry on size but like I said, one carry on rule can get ya sometimes.  My basic rule is that if I’m traveling alone I only bring the Nikon.  And if I’m doing a driving road trip then I use the Sigma.

Physically handling each lens is different.  The Nikon has VR so in the right conditions you can “almost” hand hold it.  Basically, I’ve been successful using a monopod or leaning it against a tree, rock, car window, or other stable surface.  The sigma does not have VR so a large stable tripod is a requirement.  When I use the Sigma I put it on a large gitzo with a Wimberley head and a 6” Wimberley plate.

The big advantage of the Sigma is that it is a zoom lens.  You will read in other reviews that you can find your subject at 300mm and then zoom in to 800mm.   This does work good and I’ve used this technique several times with good success.  I don’t think it’s a huge advantage though once you learn how to keep both eyes open with the Nikon you can find your subject easily too.  To clarify that technique, look through the viewfinder with one eye and keep your other eye open looking at your subject.  Your eyes will adjust and kind of “match” and you can find your subject easily using that technique.  It takes practice but works with any lens.

Performance; both lenses will give you great images.  Both lenses have internal motors to focus.  The Nikon does focus faster.  Nikon also says you cannot autofocus with teleconverters.  This is NOT true.  With a Nikon 1.4 or the new 2.0 teleconverter I can still use autofocus.  When you put both converters on and stack them you do have to use manual focus.  The sigma will autofocus with the Nikon 1.4 converter but will not autofocus with the 2.0 teleconverter.

So now we get to the real story. How sharp are they and which one gives you a better image.  Honestly there is very little difference in sharpness.  I’m not going to go into crazy charts and scientific method, you can see all that stuff on their web site and if you understand what those charts mean then you are better than me, ha ha.

To test sharpness I went out to a cemetery and found a dark stone against snow with some good colorful flowers.  I figure that’s going to give the best idea of color, contrast and sharpness.  The following pictures were taken on a Nikon D700 set at iso 200 and aperture was 5.6 for each image.  I set the Sigma to 600mm so it would show the same magnification as the Nikon lens.  The images have not been sharpened or anything.  There is no post processing work done to any of the pictures.

As you can see, the Nikon images have a bit more brightness and contrast which makes it appear a tiny bit sharper.  However, I don’t think it actually is sharper.  If you process the Sigma image and add some contrast then the sharpness is identical.  It’s just a trick of your eye.  Personally I like the brighter contrast in the Nikon lens, but that is just a matter of opinion.

Both lenses are excellent.  Don’t get discouraged by thinking a non Nikon lens will give you any less performance than using Nikon glass.  When you get to this price range Sigma really did the job well and didn’t cut any corners.

That being said I would recommend the Nikon mainly because of the faster autofocus and the vibration reduction.  Unfortunately it is almost impossible to find the Nikon 600mm lens to purchase in the USA.  I finally had to get mine from Canada and Nikon USA will not honor any warranty for goods purchased outside of the United States.  I am playing the odds on this one simply because I figure if I spend a fortune on a lens then they are going to build it well and I’ll never need warranty repair.

If you can’t find the Nikon 600mm then purchase the Sigma 300-800mm and throw on a few teleconverters and go take a picture of the United States flag on the moon.

Photographing Dangerous Animals

Photographing dangerous animals is something that a lot of us enjoy.  It gets us excited as we are interacting with something that has huge teeth, speed, and weighs as much as a Yugo! I hope I’m not the only one old enough to remember what a Yugo is…  Really, who is going to get an adrenaline rush by taking pictures of a cow?

As with everything else in life, the more fun it is the more risky it can become, so today I will share some of my techniques that I use to get closer to larger wild animals and get those great shots.

Bears, tigers, lions; those are what everyone thinks about when they think of dangerous animals.  And it’s true, they are dangerous, I’m going to deal with bears for the most part since they are the most likely animal you will encounter on your own.  At my last trip to Glacier National Park it was September and the bears were getting ready for hibernation.  All they had on their mind was eating and building up fat for the winter.

Bears love berries, and if you found a big huckleberry patch then chances are a bear will be there sooner or later.  Luckily, once they find the berry patch they don’t leave for a while. The bear is happy sitting there and eating for hours at a time.  This is the safest way to work with these animals, they are happy, content and unless you do something very threatening you usually won’t be bothered by them. Now, that is true for berries, but if you find them near a fresh kill things change drastically.  Keep your distance, they will aggressively defend that kill and will see you as a threat.

In Glacier National Park you can often see bears from the roadside.  The safest way to photograph these animals is to just drive by and then shoot from within your car.   However, by doing that you will create a “bear jam”.   Every car behind you will stop and suddenly there are 30 tourists with cameras making a lot of noise.  Sometimes this helps because it will get the bear’s attention and he will often look around and even stand up to get a better view; good photo opportunities.

Most of my experience with bears is with the black bear.  These are the more dangerous bear and you will have to be extra careful.  Trust your senses; you can smell them if they are close to you.  It’s a musty manure smell that’s suddenly in the area.  These animals are territorial and will stalk you.  So pay attention.

Photographing these animals is lots of fun though.  I recommend a long lens, the bigger the better that way you are obviously further away.  When I am walking through the woods I usually have my 70-200 2.8 ready and in my hand at all times.  If you startle a bear while you are on a trail they will almost always run away.  So be ready with that camera or all you’ll get is the backside of this big brown thing going through the bushes.  Try to keep your shutter speed at 500th and aperture of 4 or 5.6 at the most.  Smaller apertures will not blur the background and you will get a distracting image.

If you know where the animal is and you have a chance to set up a tripod and wait, that’s the best opportunity.

Bears don’t have very good eyesight so you can sit and observe them with a long lens 400-600mm is ideal.  Set up a tripod and sit still and just watch him eat those berries.  When you are comfortable in your spot sitting there quietly you will get some great images.  If you want to get his attention don’t wave your arms or make big movements, that will usually scare him away.  Simply use a whistle; one quick sound will make him look up and if you are lucky he will look right into your lens.  Once he realizes that you aren’t moving towards him aggressively he will usually go back to eating.

Now, if things go bad.  There are so many different people out there that advise different things.  I’ve heard all the stories about what you should do, everyone has a different opinion.  Personally I feel my life and anyone’s life with me is more important than a bear.  I do not carry bear spray, you have to be close to use it and once the bear is that close to me it’s too late in my opinion.  I carry a gun, if he is running at me the first shot goes to the ground, the second goes to him.  Sorry if that’s not politically correct but I’d rather pay a fine for shooting a bear than be mauled by one.  Loud noises of the gun will usually scare most animals, just be sure that if you have to take that second shot you have a gun big enough to put it down.

If you don’t agree with that fine, just make sure you can run faster than your assistant! Ha ha ha

I’ve never had an instance where I’ve had to use a gun but I always believe better safe than sorry.

Other animals you can enjoy are bison and moose.  While they don’t have the teeth and claws of bears; these are much more aggressive and dangerous in the wild.

Moose are often found in water during the early morning and daytime.  They are very very territorial and will charge you if you get too close.  The best way to photograph them is to set up and wait for them to appear.  Moose are a predictable animal, they often return day after day to the same place at the same time.  Scout your area; get to know your subject.

Once you have figured out where they will be its time to get set up for the next day.   Setting up a blind is a great way to get some spectacular shots and stay safe.  Pick a good spot where the sunlight won’t be reflecting off your lens and where you can get a clear view of your subject.  Hunting blinds are great for this.  They are already camouflaged and have a small hole for a rifle which works perfect for a camera.  Bring a chair and your iPod because you will probably be sitting there for a while waiting.  Wildlife photography is all about patience.  Early morning is not the best time for bright light, so a strong tripod is key.  Sometimes you will have to shoot 1/60th of a second with a 600mm lens!  Use live view with a cable release and you will be ok.  These animals don’t make fast movements so as long as you can hold the camera and lens steady and not jiggle it you will be ok with a slow shutter speed.  If slow speeds are not your thing then push up the iso.  Today’s cameras allow us to use high high iso settings with less noise than ever before. Just remember, a picture with a lot of noise is better than no picture at all.  Even if you can’t fix the noise in your post processing today, in a year from now you can revisit that image and the software will be much better and can probably fix it for you.

Bison are one of my favorite animals to photograph. However of all the ones I work with I honestly think these are the most dangerous.  Once they are charging, nothing stops them.  And they are always in herds, so it’s not just one you have to worry about, it’s all of them!

Most of my bison photography is done on farms.  I have a friend that raises them so I can get out and drive right into the pasture in the “somewhat” safety of a truck.  And I say somewhat safety because of the huge dents in the side of the truck where they charged it and rammed it!!

Try to use the same method, find a nice bison farm with a huge field, and then go talk to the owner.  Most bison farmers are a very relaxed sort of people.  They are used to visitors and usually love to answer questions about their animals.  Often they will have a small store selling jerky and meat products and that’s your foot in the door.  Start becoming a customer and often they will let you go out in the pasture (in a vehicle) and take pictures all day.

Yellowstone National Park has some great huge bison herds that are used to tourists and walk right along the roads.  The problem is a bison walking along the road is not a great picture next to the family car.  The other problem is that if you see them moving around, they don’t move slowly.  They will not wait for you to get into position and get your shot.

Farm bison don’t leave the pasture, you can drive around, get the angles you want with the lighting at the correct time of day.

And farm bison are just plain safer for you.   You won’t need a long lens. Often 200mm is more than enough.  Often I can use a wide angle and get very close to them.  Sometimes I’ve even been able to use a flash to add fill light to the subject.

To give you an idea of how strong and dangerous they are I’ll tell this story.  My first encounter with bison was at a restaurant and I loved the meat, it’s delicious and lower in fat than chick breast!  So I decided I wanted more of it.  Buying it retail at $20 per pound was not an option so I bought an entire bison and had it butchered.  The neat part was when I went to the farm he let me go out and pick out the one I wanted and shoot it myself.  This isn’t for everyone, but I’m a hick so I liked that idea.  Well to make it a short story, they are so strong it took 7 shots to bring it down!  While butchering it they found wounds in the lungs, heart, head, and spine!

So simply put they don’t go down easy and once they start charging you with your camera they will not stop until they hit you and chances are you’ll be pretty badly hurt or dead.  Stay in a vehicle, don’t walk near them out in the open and respect them more than a bear!

Animals are so much fun and so enjoyable for me to photograph.  It’s very relaxing for me to watch them move and interact with each other in their natural habitat.  Their life is so much easier than ours; they wake up, wander around, and eat.  Then they go back to sleep and do the same thing again the next day.  Photographing them allows me to share in that relaxing lazy day of theirs.